🧭 Paths

For a troupe that already plays scenes and wants a long form. Not for beginners: the Harold given too early puts people off longform for years. You need six to nine players who can commit to all six sessions — a Harold learned by half the group is a Harold nobody can play.

For a group that says it cannot sing. The whole design attacks shame, not technique: nobody sings alone before week three. If your group already sings happily, skip this — go straight to the musical games.

A first term for people who have never improvised. It buys safety before skill: the first two sessions are about daring to be seen, and nothing else. Rushing this is the most common mistake of new teachers.

Thirty minutes a day, alone at home. Honest warning: this trains the voice, the body, the object and the ear — it does NOT train listening or accepting an offer, because those need another human. It makes you better between classes; it does not replace them.