Un spectacle complet chanté : une suggestion, une histoire, et cinq à sept numéros musicaux — chanson d'ouverture qui pose le monde, chanson de désir du personnage principal, duo, revers, final repris en chœur. Le récit tient le chant, et non l'inverse : sans envie claire du personnage, aucun refrain ne sauvera la scène.
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You don't learn The Improvised Musical by playing it — you learn it by drilling what it demands.
Nobody sings alone here. Twenty minutes of this and a group that 'cannot sing' is singing.
Not to rhyme well — to survive a bad rhyme without stopping.
A song is a structure that returns, not a string of sung sentences.
Commitment first, talent never. The flat text leaves nowhere to hide.
A song with no want is a karaoke. The character must need something badly enough to sing about it.