If This Is True

Start from one unusual fact — "the boss naps in a coffin", "gravity is weaker on Fridays". Before playing anything, the group lists what else must therefore be true in that world, chaining implications. Then they play scenes that explore those consequences rather than restating the premise. It trains "if-then" logic and world-building — the engine of grounded absurdity. Players learn that one strong unusual thing, followed honestly, generates a whole coherent world, and that the comedy lives in the consequences, not in piling on more weirdness. It's the exact skill that makes second and third beats of a Harold pay off.